As the title suggests, The Goblin and I popped up to Cannock Chase yesterday for a bit of fresh air and greenery. Despite not being hot weather types and nearly melting into a puddle of sunscreen and regret, we managed to have a lovely walk, look at some trees, and scoff down a picnic.
The beautiful, saturated colours of the sky and trees and flowers gave me all sorts of design inspiration, especially the pink Veronicas, which are the reason I’m seriously thinking about adding some tourmaline to my next collection. I need more bright pink in my life!
It did make me realise quite how many of my pieces are inspired by the shapes and colours of nature, which at first glance seems a bit counterintuitive from a designer based in Birmingham city centre. I’m not saying the city doesn’t inspire me too, because it definitely does, but nature makes designs spring to mind the fastest. What can I say, you can take the girl out of the countryside…
Fawning over florals
You can’t beat a good floral, so when I did my first capsule collection last Mothers’ Day, I came up with this little geranium pendant. I mean, when better to wear florals than March…?
A fool for foliage
From pendants to hoops, I love a foliage motif. There’s just something about the way leaves organically curl together to make interesting shapes and textures that looks so beautiful.
I absolutely love texture, and the grooves of tree bark are a jeweller’s dream when recreated on shining silver. One of my most popular designs, my tree bark thumb ring, was actually dreamt up after a trip to The Goblin’s homeland of rural mid-Wales, which is probably one of the most beautiful places I’ve ever been. I’ve also designed two other bark-based rings, a slim, simple band, and a wavy, lightning-strike design.
I recently had the opportunity to collaborate with some wonderful artists for two exciting photoshoots, and the edits are back! Here’s a selection of the final images showcasing Tiding of Magpies jewellery…
This first look featured a simple white tee to highlight Kitty’s gorgeous ink, topped off with fun and bouncy curls, a shimmery make-up look (using the Naked II palette) and metallic wayfarers. The necklace will be on sale at Tiding of Magpies VERY soon, and is a gold version of this piece, featuring gold-filled stars, discs and leaves, as well as amethyst, moonstone and crystal quartz drops. The hoops (which look fab through Kitty’s stretcher!) can be found here, with a smaller version here.
I love this look because it’s effortless festival cool that allows the model’s individuality to shine through (and would be pretty low-maintenance even when knee-deep in mud!).Look 2 has more country vibe with it, complete with plaid shirt and hat. More pared-down jewellery works perfectly with this look, so my classic silver chevron necklace and silver-wrapped amethyst teardrop earrings complement the look beautifully.
Plus, I’m loving this lip colour (Illamasqua Magnetism)…
The final look is my absolute favourite. Alia used two chunky glitters by Festival Face and a finer one by Stargazer.
As a magpie, I fully endorse all glitter, all the time! And I NEED more glitter roots in my life…This adorable flowery ensemble and awesome make-up really highlights the bluey-purple and rose gold tones in the coin pearl lariat necklace Kitty is rocking. My rose gold filled mini star hoops add a bit of extra sparkle to complete the look…The coin pearl lariat was a wedding jewellery design, so I was absolutely thrilled that Alia chose to show its versatility when styling this shoot!
Shoot 2: Soft summer style
The second shoot by Adrian G, with hair and make-up by Alia-Michelle, had a softer, more classic vibe, featuring the stunning Lilly Graham in a series of clean, simple spring and summer looks, all created with the Naked II palette.
The final look featured a gorgeously summery look, complete with a soft, floral hairstyle and my amethyst earrings making another appearance.
I love how many pieces were used for different looks on these shoots – it just goes to show that a good design can be really versatile. From festival to picnic, and work to date night, Tiding of Magpies has got you covered with beautiful jewellery, all handmade with love in Birmingham’s Jewellery Quarter!
A huge thanks goes out to Alia-Michelle, Adrian, Kitty and Lilly for being your fab and talented selves! I’ve loved being a part of these shoots…here’s to the next one!
I know, I know, it’s been a while since I posted, and there are a few good reasons for that, mostly:
BUT despite that, there have been a few things in the works, namely…
1) I’ve been refreshing product photography, which is why some of my most popular designs, like my charm hoops, have been down for a little bit. Hoops will be coming back on Friday 14 April, just in time for you to treat yourself after a hard week at work…
With the help of my ever-patient friends and family as models, photographers, and all-round ‘shall-I-just-hold-this-leaf-for-you’ grafters, I’ve had fun shoots ranging from standing in the Yorkshire rain in January to gathering all the items from my sister’s sickeningly Instagrammable flat:
I hope you’ll agree that the results were worth the effort, though!
Available via the shop tab above
The necklace at the bottom there is a new design which will be available from next Thursday 19 April.
2) I’ve got an exciting collaboration coming up with the talented and very lovely Alia-Michelle of Makeup by Alia-Michelle, where I’ve lent some Tiding of Magpies jewellery to style the models for two beauty shoots. It’s the closest I’ve ever been to fulfilling my fantasy of styling Next Top Model photoshoots… Seriously though, I absolutely loved picking out the right pieces for the theme of each shoot, and one shoot will even feature one of two new designs which will be available to purchase from Thursday 19 April. Watch this space for the photos!
3) My final news item is a very special one. I’m always delighted when my customers tell me the story behind the item they’ve purchased or commissioned, but last week I had a really lovely message from a customer who purchased my silver love knot ring…
She recently proposed to her partner, but while they’re waiting on a bespoke engagement ring, she ordered my little love knot ring as a stand-in to symbolise their plans to tie the knot – how ridiculously cute is that? It made my week – and a nice happy ending to this quick update post!
Anyone who’s ever shopped online, let alone sold online, knows that having good photography can make or break a sale. You can make the most beautiful earrings imaginable, but if they’re presented in a poorly lit and uninspiring photo, they’re probably not going to get chosen out of the millions of pairs available online.
When you’re just starting out selling online, it can be difficult to know how to set up and execute good product photography, which is why I enlisted the help of my more camera-savvy friend, @imlfox, for my first round of pictures. (Her Instagram is great by the way, you should all go follow her now. I’ll wait here…)
Bella shoots with a Nikon D5000, which is excellent for making tiny adjustments, but my little Nikon Coolpix point-and-shoot works great too. You don’t need fancy equipment unless you’re taking product photos every day, and chances are that at this stage you don’t have that many products to photograph! I would advise against using a phone camera, though, purely because I find the pictures don’t tend to blow up as well on different screen sizes.
So, to get to the point, I have 4 key tips for product photography: lighting, theming/composition, variety, and patience.
It sounds like a no-brainer, but it makes all the difference in the world. Natural light is best, as much as you can get. I’m lucky my flat has tall windows, but I still need to shoot right next to them to get the best results.
I’m including flash on/flash off in this category as well. If you’ve got shaky hands like me, the balance between the darkening effects of flash and the blurry-but-light results of no flash is pretty delicate. Macro mode and patience are really your only options, unfortunately. They’re worth it for images like this, though:
This is the fun bit. To start with, you’ll need a rough idea of the sort of aesthetic you’re going for. This will inform the sorts of props you might use and what composition might suit your pictures best. Going for a clean, modern, minimalist look? Think plain white walls, lots of greenery, and maybe a copper candle holder or two, all shot from above. Feeling a more hippy, gap-yah vibe? Break out whatever trinkets you’ve picked up on your travels, find some warm-coloured wood as a base/background, and you’re good to go.
I was going for a vintage-meets-modern sort of thing, since my pieces are generally a mix of old and new inspirations and techniques, so books, sheet music and house plants all worked for me. In fact, I may have got a bit carried away with the themed props…
Fine silver ammonite pendant, Tiding Of Magpies
Having someone to bounce things off is also really helpful. Don’t be afraid to try things – if they look stupid, you don’t have to ever use the photos. My lovely hand model and bridesmaid, Beth, and I tried many Valentine’s-themed prosecco photos in last weekend’s session. They were all awful, but at least we got to drink the fizz afterwards…
I don’t know about other platforms, but Etsy will let you have 5 photos of each item, so you really have to make sure you’re showing every angle/use of the product. This means taking a ton of different shots and whittling them down to the most attractive/useful ones. Of the 40-odd photos we took of Beth wearing my S-shaped hammered ring, these 5 made the cut for the following reasons:
Romantic theming (Valentine’s Day approaching); fingers slightly bent
Different background (tube lines echoing lines of the ring); hand flat
Close up of the texture of the ring when worn
Ring alone to show its shape
Ring alone from a different angle
So, I sort of mentioned this above, but it bears repeating (a lot, like taking pictures. See what I did there?).
My mum likes to terrorise us on holiday and at home with endless snaps (she’s a scrapbooker, it’s an occupational hazard), and always assures us it’s for our own good. We’re always a bit dubious about this, but she explains it’s because the more pictures she takes, the more likely it is that there will be a few nice ones. Despite our family being composed entirely of stumpy little goblins, she does manage to get decent pictures of us all, so it seems she has a point.
It’s definitely the case with product photography, too. Even though trawling through hundreds of photos can seem like a chore, those few shots you (and your potential customers) love will be worth it. Besides, you can always sift while you’re watching TV, and I guarantee you a good proportion will be blurry instant deletions, which speeds things up…
After the 183 pictures I took last weekend (of 5 products!), I ended up with this gem. Love knot midi ring on a hand holding a flower, posed on top of the piano music for ‘Your Song’ – Valentine’s theming at its finest.
If you’ve got any particularly good product pictures you want to share, hit me up on Twitter or Instagram and I’ll retweet/regram them!