It’s dark, it’s cold, and it’s NEARLY CHRISTMAS! Obviously, I am very excited. I’m putting my Christmas tree up this weekend, and anyone who thinks that’s too early can
I mean, as an adult who can make my own décor decisions, why WOULDN’T I have a magical, sparkly, light-up tree in my flat for nearly two months each year? The Goblin becomes The Grinch the minute 6th January hits, so I need to get my (sorry, our) tree up as early as I can to wring as much festive feeling out of it as possible.
I’ve also done all my Christmas shopping (I know, I know, I hate me too), so I figured I’d give everyone else a hand with theirs…
Introducing Tiding of Magpies’ first ever gift sets!
That’s right, I’ve put together six sparkling sets in sterling silver, gold fill and rose gold fill to suit different tastes and budgets. With a little help from my extremely patient pal, Sophie, I embarked on a mammoth photography session, and the sets are now available online!
The Classic – £38-40
My most popular hoops, with their hammered discs, are paired with dainty hollow circle necklaces for a complementary but not matchy-matchy set which adds elegance and sparkle to any outfit or style. This set is available in sterling silver, 14ct rose gold fill, and 14ct gold fill.
The Venus set – £38
One for the feminists in your life. Featuring diddy 1cm Venus symbols on both hoops and necklace, this set proves that small things can make a big impression! Plus, £1 from the sale of each set is given to Birmingham and Solihull Women’s Aid and £1 to Plan International UK, to support their wonderful work with women and girls across the globe. Tidy.
Moonstone magic – £50
If you really want to treat someone, the beautiful, rainbow moonstone hoop and necklace set is just the thing. Featuring glittering teardrop-shaped moonstones, this 14ct rose gold fill pieces sparkle different colours when the light hits them, giving off a mystical glow.
Angles and spangles – £38
The disc design’s more angular cousin! Sterling silver triangle hoops are paired with a sterling silver chevron necklace, echoing each other’s shapes – perfect for adding a little edge to an everyday outfit… (See what I did there?)
Which set would you be happiest to unwrap on Christmas Day? Let me know in the comments!
It’s getting dark and autumnal and I love the knitwear-boots-hot-drinks vibe but I’m less keen on the greyness, so today I’m looking at things through rose-tinted glasses – or rather, rose-quartz-tinted glasses…
Sorry… But really, though, a bit of blush pink crystal is a nice way to brighten up a rainy day, so let’s take a look.
What even is rose quartz?
It’s a type of oxide mineral.
It’s the second most abundant mineral in the Earth’s crust.
The name ‘quartz’ comes from the German for ‘hard’ (snigger snigger), and the ‘rose’ part is, of course, a reference to its pale pink hue.
It’s generally thought that rose quartz’s pink colour is due to trace amounts of titanium, iron, or manganese.
The colour is also photosensitive, so don’t leave your rose quartz pieces in direct sunlight for long periods of time if you want them to stay pink!
Myths, legends, and hidden meanings
From Ancient Egypt to modern crystal enthusiasts, rose quartz’s pretty pink colour and association with romance has created mystical ideas aplenty, but Ancient Greek and Roman myths are the most romantic.
The first is that rose quartz was the physical gift of love bestowed upon humans by Cupid/Eros, the Ancient Greek/Roman god of love. Alternatively, another Greek myth told that rose quartz gained its colour from the blood Aphrodite spilt trying to save her one true love, Adonis. Both lovers bled onto the stone, and this was meant to represent true love. Kinda gross, kinda romantic…
Either way, rose quartz has also been said over the years to have the properties of:
Bringing love into loveless situations
Signifying that a deal had been completed
Whether or not you believe in its special qualities, one thing that’s undeniable is rose quartz’s gorgeous blush pink colour, which has made it popular in designs throughout the centuries…
So, I may have mentioned that a selection of my work is currently being shown at Birmingham’s RBSA Gallery (once…or twice…a second…all summer…!), and I found it quite difficult to whittle down my designs to a cohesive collection of just 15 pieces.
When I was choosing what to include, I couldn’t find a huge amount of advice online on how to make the collection hang together whilst showing the best Tiding of Magpies has to offer.
So, here are 5 useful things I learnt about putting together a collection from your body of work:
1) Start with your favourites
These are the pieces you love, the ones you’re proudest of, the first ones you’d show someone if they asked ‘what’s your jewellery like?’. These could be old or new designs, but they should make up around 1/3-1/2 of the collection, depending on how well they fit into the theme of the exhibition.
An exhibition is also an excuse to get creative and show off something brand new, like this beauty I designed for the exhibition, which is probably now my all-time favourite:
2) No ‘throwaway pieces’
I mean, technically speaking, none of your designs should be ‘throwaways’, so let me explain what I mean by that! It’s actually an idea I got from Project Runway (because, of course I did). When the designers show their final collections, Tim Gunn always tells them to get rid of ‘throwaway’ pieces which are just in there to fill space in the collection.
These pieces can sometimes be a bit less interesting than the rest, or include multiple repeats of ideas that crop up later in the show. What this means in a jewellery context is, consider whether you want to include multiples of the same design in different colours, or popular designs you’re less proud of (we’ve all got them!).
3) Try and have a relatively even spread of jewellery types & price points
Although my overall body of work is largely made up of necklaces and earrings, I made sure my display collection featured three rings as well, to demonstrate the versatility of my designs and create a more pleasing and varied overall display. If your designs skew more to one type of piece, it’s a good idea to try and even up the numbers a bit in a limited-size collection.
It’s also wise to mix it up in terms of price points; galleries might allow for a higher overall price range, but it’s still worth including some pieces on the lower and middle ends of that scale to tempt casual purchasers or gift-hunters (especially at this time of year!).
4) Echo shapes or materials, but not both at once
This one’s fairly self-explanatory, but as an example, I put these two pairs of earrings into my collection:
The same overall shape signals that they’re part of the same collection, but the different metals, stones, and stone shapes maintain interest and variety.
5) Think about the theme of the exhibition
If it’s your first time exhibiting (or even if it isn’t), jewellery exhibitions usually feature multiple artists, so there will be an overall thematic link rather than the theme being that of your collection alone. You want your collection to stand out in a good way, but to also have a visible link to the theme of the exhibition.
The display Tiding of Magpies is currently part of is titled Stellar, and themed around the sparkliness of space. In response, I made sure my collection included some of my designs which feature star shapes, as well as themed stones such as moonstone (duh) & lapis lazuli (which looks like the night sky, with its blue colour and gold flecks).
Now all you have to do is avoid the inevitable over-thinking and wondering if you put the wrong pieces forward!
What other aspects of jewellery design would you like to see posts on? Let me know in the comments…
If you follow Tiding of Magpies on Instagram you may have seen a few stories about our exciting news, but for anyone who missed it, don’t worry – I’m about to fill you in on all the details!
This week, an exhibition called Stellar opens at the Royal Birmingham Society of Artists (RBSA) Gallery right here in the Jewellery Quarter, and Tiding of Magpies jewellery is part of it! The exhibition, as the name suggests, has a celestial theme and is focused on all things sparkly – perfect for Tiding of Magpies’ aesthetic… The gallery describes the exhibition like this:
Inspired by the wonder and mystery of stars and space, this display is unashamedly focused on all things bright, twinkly and sparkly. It features jewellery in precious materials, ceramics with lustrous glazes, and textiles in plush fabrics. Every piece is hand-made by a designer-maker[…]
The gallery itself is a local gem, which overlooks St Paul’s Square in the heart of the Jewellery Quarter, and hosts regularly-changing exhibitions, events & workshops. Not to mention that entry to the exhibitions is free! There are 3 floors of gorgeous artwork to explore, so make sure you check those out while you’re visiting Stellar…
It was hard to whittle my 75-ish designs down to just 15 for the display, but I focused on colours and shapes that fitted best with the theme of the exhibition. Moonstones, star shapes, and glittering, deep blue stones such as sapphire, iolite and lapis lazuli take centre stage.
Tiding of Magpies’ fifteen-piece exhibition collection includes new designs, old favourites, and a whole host of colours and stones. Naturally, moonstone and lapis lazuli make several appearances, as well as amethyst, garnet and sapphire, and a range of metal finishes.
The exhibition runs until 2nd February 2019, so you’ve got plenty of time to get down to the gallery, check out Stellar, and maybe do a little Christmas shopping or treat yourself to some sparkles! Plus, all gallery purchases come with an exclusive discount code which can be used at the Tiding of Magpies online store until August 2019.
As the title suggests, The Goblin and I popped up to Cannock Chase yesterday for a bit of fresh air and greenery. Despite not being hot weather types and nearly melting into a puddle of sunscreen and regret, we managed to have a lovely walk, look at some trees, and scoff down a picnic.
The beautiful, saturated colours of the sky and trees and flowers gave me all sorts of design inspiration, especially the pink Veronicas, which are the reason I’m seriously thinking about adding some tourmaline to my next collection. I need more bright pink in my life!
It did make me realise quite how many of my pieces are inspired by the shapes and colours of nature, which at first glance seems a bit counterintuitive from a designer based in Birmingham city centre. I’m not saying the city doesn’t inspire me too, because it definitely does, but nature makes designs spring to mind the fastest. What can I say, you can take the girl out of the countryside…
Fawning over florals
You can’t beat a good floral, so when I did my first capsule collection last Mothers’ Day, I came up with this little geranium pendant. I mean, when better to wear florals than March…?
A fool for foliage
From pendants to hoops, I love a foliage motif. There’s just something about the way leaves organically curl together to make interesting shapes and textures that looks so beautiful.
I absolutely love texture, and the grooves of tree bark are a jeweller’s dream when recreated on shining silver. One of my most popular designs, my tree bark thumb ring, was actually dreamt up after a trip to The Goblin’s homeland of rural mid-Wales, which is probably one of the most beautiful places I’ve ever been. I’ve also designed two other bark-based rings, a slim, simple band, and a wavy, lightning-strike design.
This weekend we’re throwing it back all the way to primary school with some good old birthstone chat. Later on we can play MASH and maybe a bit of Red Rover…
My oldest school friend turned 26 last week, and for one of her gifts I designed her a silver and emerald earring and necklace set. As well as being one of her favourite stones, emerald is also her birthstone, which is something we were VERY excited about back in junior school (along with birth flowers, star signs, and any other vaguely mystical identifiers we could find…).
All this birthstone nostalgia made me wonder where birthstones even came from. I mean, it’s a fairly niche idea when you think about it. Star signs, the Chinese zodiac, all of those identifiers are based on astrology, but birthstones? Whose idea was that?
The birth of birthstones
Surprisingly, it seems like it was Aaron’s. Not as in Aaron Burr, but as in the High Priest Aaron, Moses’ brother. In Exodus 28, when Aaron is being fitted for a new breastplate, Moses decrees it should carry 12 gemstones, one for each of the tribes of Israel. Historians have since argued that these stones were also linked to the months of the year and the signs of the Zodiac. Because names of gemstones have changed over time and translation, nobody is quite sure which stones Aaron was sporting, but a commonly-accepted list is as follows:
As you can see below, some of these stones or close alternates still appear on today’s lists…
However, the practice of wearing your birth month’s stone only appeared in Europe a few hundred years ago; before that, it was customary (presumably only among those who could afford it!) to keep one of each stone and wear it during its month. However, by the 20th century, birthstones were such a popular (and lucrative) concept that both the American National Association of Jewelers and the British National Association of Goldsmiths created their own ‘official’ list of birthstones.
Let’s get stoned
Ever wonder what your own birthstone is? Well, wonder no longer – I’m about to take you through the official (British NAG) list of birthstones. Some of them are pricier than others, but the NAG have thoughtfully provided alternatives on some months. I also have a couple of suggestions for budget-friendly dupes for some of the more expensive stones…
As I’ve mentioned once or twice, I bloody love garnet. If only my mum had held onto me a solid month past my due date this stone could have been mine… The gorgeous dark red colour is perfectly set off by faceting, and it looks lovely in a gold or silver setting.
February’s stone is amethyst, a lovely violet-coloured form of quartz. Fun fact about amethyst: its name comes from the Ancient Greek for the words ‘not’ and ‘intoxicate’. This belief that amethyst protected you from drunkenness (and, indeed, hangovers!) led to lots of drinking vessels carved from or inlaid with the stone, as well as charms:
Maybe I’ll try wearing amethyst charms on my next night out and see how my head is the next day…
Two quite different stones for March – perhaps March babies are meant to be more indecisive? Bloodstone sounds – and looks! – a bit emo, whilst aquamarine is delicate and classic:
If you don’t fancy either of these, March’s birth colours are white and light blue, so you could always consider substituting a pearl or a moonstone for the two ‘official’ options…
April: Diamond/Rock crystal
One of the most expensive months of the year is April, with diamond as its main stone. Luckily, a more affordable alternative, rock crystal, is given, and you could also substitute crystal quartz:
If only I’d be born in May… Emeralds speak for themselves, and luckily chrysoprase makes a nice, affordable substitute for emerald. Chrysoprase also has some lovely marble-esque inclusions which adds a bit of interest:
June’s stones of pearl or moonstone give some lovely, neutral-coloured options for birthstone jewellery, but the benefit of pearls is they also come in different colours to suit all tastes and styles, and rainbow moonstones also produce lovely colours when the light hits them:
Available in the online store
Available in the online store
Another red month, with cardinal stone ruby and semi-precious carnelian for some fiery birthstone jewellery:
Leaving aside the fact that Sardonyx sounds like me as a Pokemon, it’s also quite different from the better-known August birthstone of peridot. August babies have tons of colours and patterns to choose from with sardonyx, as well as a light green sparkler with periot. I think I prefer the sardonyx for its variety (and name!), but peridot isn’t too shabby either:
September: Sapphire/Lapis Lazuli
Yet another month I’m jealous of; more for the lapis lazuli than the sapphire, actually. I just love its gold flecks and historical appeal. That being said, you can’t go too far wrong with a sapphire, and they come in a bunch of different colours as well, so you can choose your favourite or sport a rainbow birthstone piece (if you’ve the budget for it!):
Opals have come back in in a big way in the past couple of years, so lucky October babies! Opals were extremely rare before the 19th century discovery of huge opal deposits in Australia, and appear in the treasuries of many European royal houses. Like many of the stones on this list, opals come in a range of colours and styles…
November is the only month with predominantly yellow stones, perhaps to make up for the lack of sunshine the UK during these babies’ birthdays… Topaz does, of course, come in blues, greens and pinks as well as yellows, whilst citrine (as the name suggests) is just yellow. According to British superstition, Topaz also cures ‘lunacy’, so take from that what you will…
I love turquoise now, but when I was little, it did feel a little like they’d just run out of stones by the time they got to my birth month. I mean, turquoise isn’t even sparkly! Gorgeous, purply-blue tanzanite is, but I didn’t know about it back then. Tanzanite is also a lot more expensive; turquoise is definitely the affordable December stone, but it does have the advantage of a huge range of variations in colour and inclusions (the speckly bits)…
What’s your birthstone, and, more importantly, do you like it? If your month has two stones, what do you prefer? Let me know in the comments…
I recently had the opportunity to collaborate with some wonderful artists for two exciting photoshoots, and the edits are back! Here’s a selection of the final images showcasing Tiding of Magpies jewellery…
This first look featured a simple white tee to highlight Kitty’s gorgeous ink, topped off with fun and bouncy curls, a shimmery make-up look (using the Naked II palette) and metallic wayfarers. The necklace will be on sale at Tiding of Magpies VERY soon, and is a gold version of this piece, featuring gold-filled stars, discs and leaves, as well as amethyst, moonstone and crystal quartz drops. The hoops (which look fab through Kitty’s stretcher!) can be found here, with a smaller version here.
I love this look because it’s effortless festival cool that allows the model’s individuality to shine through (and would be pretty low-maintenance even when knee-deep in mud!).Look 2 has more country vibe with it, complete with plaid shirt and hat. More pared-down jewellery works perfectly with this look, so my classic silver chevron necklace and silver-wrapped amethyst teardrop earrings complement the look beautifully.
Plus, I’m loving this lip colour (Illamasqua Magnetism)…
The final look is my absolute favourite. Alia used two chunky glitters by Festival Face and a finer one by Stargazer.
As a magpie, I fully endorse all glitter, all the time! And I NEED more glitter roots in my life…This adorable flowery ensemble and awesome make-up really highlights the bluey-purple and rose gold tones in the coin pearl lariat necklace Kitty is rocking. My rose gold filled mini star hoops add a bit of extra sparkle to complete the look…The coin pearl lariat was a wedding jewellery design, so I was absolutely thrilled that Alia chose to show its versatility when styling this shoot!
Shoot 2: Soft summer style
The second shoot by Adrian G, with hair and make-up by Alia-Michelle, had a softer, more classic vibe, featuring the stunning Lilly Graham in a series of clean, simple spring and summer looks, all created with the Naked II palette.
The final look featured a gorgeously summery look, complete with a soft, floral hairstyle and my amethyst earrings making another appearance.
I love how many pieces were used for different looks on these shoots – it just goes to show that a good design can be really versatile. From festival to picnic, and work to date night, Tiding of Magpies has got you covered with beautiful jewellery, all handmade with love in Birmingham’s Jewellery Quarter!
A huge thanks goes out to Alia-Michelle, Adrian, Kitty and Lilly for being your fab and talented selves! I’ve loved being a part of these shoots…here’s to the next one!
This week’s post is an exciting collab post over on Rowton Castle’s site. I got married at Rowton last year and can’t recommend the venue enough, so I was delighted to write another blog post for them. Check it out here…
Available in the online store
And for gorgeous, elegant jewellery for brides, bridesmaids and members of the wedding party, head to the wedding section of the Tiding of Magpies shop!
Hoops are back online, everybody! After a brief interlude while we were refreshing the photography, my line of gorgeous, dainty little charm hoops is back with NEW charm options and some lush new pictures. New designs include rose gold hammered discs, and a gold nature charms collection featuring shells, leaves and crystal quartz chips.
It’s International Women’s Day, so today’s spotlight had to be on trailblazing jewellery designer Elsa Peretti, who started out as the epitome 70s cool and continues to design gorgeous, innovative jewellery to this day. I mean, what’s not to love about a woman who casually refers to Andy Warhol (once a close friend) as ‘a bit of a shit’…?
Born in Florence in 1940, Peretti studied interior design before becoming a fashion model and moving to New York in the 1960s. It was in New York that she began to design jewellery independently, creating forward-thinking pieces in sensual shapes and elegant materials.
A significant member of the Studio 54 scene, in the late 60s and early 70s, Peretti lived a tempestuous life that was as glamorous and edgy as her designs. After several drug-fuelled years, she got clean, going on to win the Coty award for her jewellery designs in 1971. In 1972, Bloomingdale’s gave her her own boutique spot; the same year, she made her first Vogue appearance. She also designed for close friend and fellow club-scene-member, fashion designer Halston.
In 1974, Peretti joined Tiffany as a designer, and it was this partnership which made her a household name. It continues to this day, with the now-elderly Peretti designing from her Catalan bolt-hole, Sant Martí Vell. She still makes 10% of Tiffany’s profits from her designs, more than any other designer in the company.
So, why is Elsa Peretti such a significant figure in jewellery design? Part of her success lies in how effectively her original designs captured a moment and a mood, that of seventies New York. Rebellion, excess, disco, women’s liberation – it’s all reflected in the boldness and sculptural nature of Peretti’s designs, which are meant to take the wearer effortlessly from boardroom to dancefloor. From statement cuffs to stylised hearts and hoop earrings, it’s that most elusive of styles: wearable high fashion.
The young Peretti was no stranger to rebellion by the time she began designing; she fled her wealthy, conservative family for Barcelona at 21, before moving to America to model. Endowed with natural style and charisma, she modelled to pay the bills while pursuing her real interest: jewellery design.
Not content with simply designing, Peretti began to change trends in jewellery design as well, using silver in her work. At the time, silver was considered ‘common’ in fine jewellery, but Peretti’s elegant, exciting, silver designs soon changed that.
The first piece Peretti made was a tiny silver vase, hung from a chain and with a tiny rosebud inside it. Anyone who was anyone went made for the novel idea, and vases & bottles are a popular motif in Peretti’s collections even today:
Her simple, sexy designs were unlike anything that had come before, and her most iconic piece, the 1974 ‘Bone’ cuff was an instant hit with everyone from Sophia Loren to Liza Minelli. Even today, this design appears on the red-carpet wrists of the likes of Rachel Weisz and Rosamund Pike, showing its timeless appeal and eternal cool.
Peretti is also inspirational because of her take-no-shit attitude and enormous work ethic. She insisted on keeping her own name and intellectual property rights when she signed with Tiffany & Co., so her collection is ‘Elsa Peretti for Tiffany’. She also isn’t backward in coming forward about her success: as she put it to Vanity Fair, ‘I am very happy with what I’ve done. I knew a man wasn’t going to give me money,’
In 2000, Peretti took the money she had inherited from her family and put it into a foundation in her father’s name. The Nando Peretti foundation works globally to support human rights, women’s rights, environmental protection, and a host of other causes, and Peretti is personally involved in the work even now.
If that wasn’t enough, in 2012, aged 72, she signed a new 20-year contract with Tiffany!