It’s getting dark and autumnal and I love the knitwear-boots-hot-drinks vibe but I’m less keen on the greyness, so today I’m looking at things through rose-tinted glasses – or rather, rose-quartz-tinted glasses…
Sorry… But really, though, a bit of blush pink crystal is a nice way to brighten up a rainy day, so let’s take a look.
What even is rose quartz?
It’s a type of oxide mineral.
It’s the second most abundant mineral in the Earth’s crust.
The name ‘quartz’ comes from the German for ‘hard’ (snigger snigger), and the ‘rose’ part is, of course, a reference to its pale pink hue.
It’s generally thought that rose quartz’s pink colour is due to trace amounts of titanium, iron, or manganese.
The colour is also photosensitive, so don’t leave your rose quartz pieces in direct sunlight for long periods of time if you want them to stay pink!
Myths, legends, and hidden meanings
From Ancient Egypt to modern crystal enthusiasts, rose quartz’s pretty pink colour and association with romance has created mystical ideas aplenty, but Ancient Greek and Roman myths are the most romantic.
The first is that rose quartz was the physical gift of love bestowed upon humans by Cupid/Eros, the Ancient Greek/Roman god of love. Alternatively, another Greek myth told that rose quartz gained its colour from the blood Aphrodite spilt trying to save her one true love, Adonis. Both lovers bled onto the stone, and this was meant to represent true love. Kinda gross, kinda romantic…
Either way, rose quartz has also been said over the years to have the properties of:
Bringing love into loveless situations
Signifying that a deal had been completed
Whether or not you believe in its special qualities, one thing that’s undeniable is rose quartz’s gorgeous blush pink colour, which has made it popular in designs throughout the centuries…
I recently had the opportunity to collaborate with some wonderful artists for two exciting photoshoots, and the edits are back! Here’s a selection of the final images showcasing Tiding of Magpies jewellery…
This first look featured a simple white tee to highlight Kitty’s gorgeous ink, topped off with fun and bouncy curls, a shimmery make-up look (using the Naked II palette) and metallic wayfarers. The necklace will be on sale at Tiding of Magpies VERY soon, and is a gold version of this piece, featuring gold-filled stars, discs and leaves, as well as amethyst, moonstone and crystal quartz drops. The hoops (which look fab through Kitty’s stretcher!) can be found here, with a smaller version here.
I love this look because it’s effortless festival cool that allows the model’s individuality to shine through (and would be pretty low-maintenance even when knee-deep in mud!).Look 2 has more country vibe with it, complete with plaid shirt and hat. More pared-down jewellery works perfectly with this look, so my classic silver chevron necklace and silver-wrapped amethyst teardrop earrings complement the look beautifully.
Plus, I’m loving this lip colour (Illamasqua Magnetism)…
The final look is my absolute favourite. Alia used two chunky glitters by Festival Face and a finer one by Stargazer.
As a magpie, I fully endorse all glitter, all the time! And I NEED more glitter roots in my life…This adorable flowery ensemble and awesome make-up really highlights the bluey-purple and rose gold tones in the coin pearl lariat necklace Kitty is rocking. My rose gold filled mini star hoops add a bit of extra sparkle to complete the look…The coin pearl lariat was a wedding jewellery design, so I was absolutely thrilled that Alia chose to show its versatility when styling this shoot!
Shoot 2: Soft summer style
The second shoot by Adrian G, with hair and make-up by Alia-Michelle, had a softer, more classic vibe, featuring the stunning Lilly Graham in a series of clean, simple spring and summer looks, all created with the Naked II palette.
The final look featured a gorgeously summery look, complete with a soft, floral hairstyle and my amethyst earrings making another appearance.
I love how many pieces were used for different looks on these shoots – it just goes to show that a good design can be really versatile. From festival to picnic, and work to date night, Tiding of Magpies has got you covered with beautiful jewellery, all handmade with love in Birmingham’s Jewellery Quarter!
A huge thanks goes out to Alia-Michelle, Adrian, Kitty and Lilly for being your fab and talented selves! I’ve loved being a part of these shoots…here’s to the next one!
Last week, after almost 3 years of having the soundtrack on repeat, I FINALLY got to be in the room where it happens at Hamilton in London, along with The Goblin and a whole bunch of family and friends. I cried. A lot.
And I have A LOT of feelings about the show, the top 3 being:
1) How amazing Jamael Westman & Rachelle Ann Go are as the Hamiltons
2) How I will never be satisfied with a Washington who isn’t Christopher Jackson
3) How It’s Quiet Uptown will never not make me cry (especially when sung by the divine Rachel John).
I also have a lot of feelings about the gorgeous costuming, which Paul Tazewell, acclaimed Broadway costume designer, created as a modern, minimalist version of 18th century silhouettes. It’s a combination of old and new right after my own heart*, all in a palette of lush colours.
Costume design by Paul Tazewell
Costume design by Paul Tazewell
Costume design by Paul Tazewell
Costume design by Paul Tazewell
Costume design by Paul Tazewell
The minimalism doesn’t just stop at the clothing, with the only jewellery in the show being the main female characters’ delicate drop earrings (aside from King George’s bling, of course!). They’re a gorgeous example of minimal styling, because they add a little sparkle without taking away from the incredible vocals and rich dresses.
Like the costumes, the Hamilton ladies’ jewellery is a stripped-back version of what women of the Schuylers’ status would have worn during this period of history (although not that stripped back; in late eighteenth century America, less jewellery was definitely more). Hair adornments and brooches were the accessories of choice at this time. Necklaces, when worn, tended to be of a choker style, and earrings were relatively simple (albeit expensive) gemstone drops.
Henrietta Anthony by Gilbert Stuart
Henrietta Dart by Jeremiah Theus 1772
Hannah Winthrop by John Singleton Copley, 1773
Mrs Richard Brown by John Hesselius, 1760
Following the Revolution, at the start of the nineteenth century, American jewellery manufacture briefly boomed at home, as well as there being expanded import options. The Neo-classical trend in Europe carried across to the States, with pearl, topaz and amethyst designs gaining popularity.
Anna Dorothea Finney
Jane Beekman by Vanderlyn
Abigail Smith Adams by Benjamin Blythe, 1766
Mary Tallmadge by Ralph Earl, 1790
By Ralph Earl, 1790
However, from their portraits, it seems the real-life Schuyler sisters were even simpler in their tastes than the styles of the time:
I, of course, made myself some Hamilton-themed gems to wear to the show, focusing on the star motif….
Judging by the costumes and the historical jewels, perhaps I should have worn a pair of my gemstone drop earrings instead so I could pretend I was a Schuyler sister! Come to think of it, maybe I’ll do this tomorrow – I just need to find an orangey-pink outfit to go with my rose quartz drops…
Available via the shop tab above
Available via the shop tab above
Available via the shop tab above
Some interesting articles on the costume design process:
Hoops are back online, everybody! After a brief interlude while we were refreshing the photography, my line of gorgeous, dainty little charm hoops is back with NEW charm options and some lush new pictures. New designs include rose gold hammered discs, and a gold nature charms collection featuring shells, leaves and crystal quartz chips.
It’s International Women’s Day, so today’s spotlight had to be on trailblazing jewellery designer Elsa Peretti, who started out as the epitome 70s cool and continues to design gorgeous, innovative jewellery to this day. I mean, what’s not to love about a woman who casually refers to Andy Warhol (once a close friend) as ‘a bit of a shit’…?
Born in Florence in 1940, Peretti studied interior design before becoming a fashion model and moving to New York in the 1960s. It was in New York that she began to design jewellery independently, creating forward-thinking pieces in sensual shapes and elegant materials.
A significant member of the Studio 54 scene, in the late 60s and early 70s, Peretti lived a tempestuous life that was as glamorous and edgy as her designs. After several drug-fuelled years, she got clean, going on to win the Coty award for her jewellery designs in 1971. In 1972, Bloomingdale’s gave her her own boutique spot; the same year, she made her first Vogue appearance. She also designed for close friend and fellow club-scene-member, fashion designer Halston.
In 1974, Peretti joined Tiffany as a designer, and it was this partnership which made her a household name. It continues to this day, with the now-elderly Peretti designing from her Catalan bolt-hole, Sant Martí Vell. She still makes 10% of Tiffany’s profits from her designs, more than any other designer in the company.
So, why is Elsa Peretti such a significant figure in jewellery design? Part of her success lies in how effectively her original designs captured a moment and a mood, that of seventies New York. Rebellion, excess, disco, women’s liberation – it’s all reflected in the boldness and sculptural nature of Peretti’s designs, which are meant to take the wearer effortlessly from boardroom to dancefloor. From statement cuffs to stylised hearts and hoop earrings, it’s that most elusive of styles: wearable high fashion.
The young Peretti was no stranger to rebellion by the time she began designing; she fled her wealthy, conservative family for Barcelona at 21, before moving to America to model. Endowed with natural style and charisma, she modelled to pay the bills while pursuing her real interest: jewellery design.
Not content with simply designing, Peretti began to change trends in jewellery design as well, using silver in her work. At the time, silver was considered ‘common’ in fine jewellery, but Peretti’s elegant, exciting, silver designs soon changed that.
The first piece Peretti made was a tiny silver vase, hung from a chain and with a tiny rosebud inside it. Anyone who was anyone went made for the novel idea, and vases & bottles are a popular motif in Peretti’s collections even today:
Her simple, sexy designs were unlike anything that had come before, and her most iconic piece, the 1974 ‘Bone’ cuff was an instant hit with everyone from Sophia Loren to Liza Minelli. Even today, this design appears on the red-carpet wrists of the likes of Rachel Weisz and Rosamund Pike, showing its timeless appeal and eternal cool.
Peretti is also inspirational because of her take-no-shit attitude and enormous work ethic. She insisted on keeping her own name and intellectual property rights when she signed with Tiffany & Co., so her collection is ‘Elsa Peretti for Tiffany’. She also isn’t backward in coming forward about her success: as she put it to Vanity Fair, ‘I am very happy with what I’ve done. I knew a man wasn’t going to give me money,’
In 2000, Peretti took the money she had inherited from her family and put it into a foundation in her father’s name. The Nando Peretti foundation works globally to support human rights, women’s rights, environmental protection, and a host of other causes, and Peretti is personally involved in the work even now.
If that wasn’t enough, in 2012, aged 72, she signed a new 20-year contract with Tiffany!
“On the fifth day of Christmas this great blog gave to me: five gold rings…”
Christmas itself may be over, but Tiding of Magpies has one last bit of seasonal sparkle for you. So if your stomachs are full after the festivities, feast your eyes instead on these gorgeous, gold specimens…
My new fave stone is front and centre in this statement piece. Crafted between 1908 and 1917 in Russia, it’s meant to be a men’s ring, but I think I could pull it off… Lapis lazuli was popular with Fabergé during this period as well, because it turns out it’s mined in Siberia – I had no idea!
Go big or go home
The largest gold ring in the world, the Najmat Taiba (Star of Taiba), was made in 2000 for a fairly reasonable $547,000 but is now worth around $3 million. Not too shabby, for an investment that might have seemed a bit pointless at the time!
Source: Ashok Varma via emirates247.com
Source: Ashok Varma via emirates247.com
The ring weighs nearly 64kg, is 21 carats, and took 55 workers 45 days to finish it. As well as the vast amount of gold, you can also see some whopping Swarovski stones adorning the ring; 5.1kg of stones were used in total, made up of 615 individual precious stones.
Peas in a pod or corn on the cob?
I can’t decide what this gorgeous ring is exactly supposed to be, but it’s one of the most beautiful examples of Arts and Crafts jewellery I’ve seen. I’m a sucker for pearls being used in unexpected settings and styles, and this setting of three freshwater pearls from the Mississippi River is right up my street.
Made of 14 carat gold, this ring is unusual in the early 20th century Arts and Crafts movement, whose designers tended to favour silver.
The unusual stone choice in this Georgian ring caught my eye while I was researching this blog – the central amethyst is flanked by one white and one extremely rare blue diamond. The auction site where I found it suggests the jewellery didn’t realise the blue diamond was a diamond, and that it was perhaps passed onto them in a selection of salvage stones, since the cutting style pre-dates the ring itself.
I always love thinking about pieces that tell a story, and who knows where the stones in this ring came from originally, or why the jewellery chose them for this piece? The ring itself has a story to tell, too: it’s engraved with the ‘Ann Colinnbell Feb 1757 an. 60’ – perhaps it was once a love token? Speaking of love tokens…
Gold love-knot ring, Tiding of Magpies
Couldn’t resist… The last of my five gold rings is my own design, which has a story of its own: I originally designed this gold love-knot ring to wear at my own wedding.
Lovingly handcrafted from 0.8mm 9 carat yellow gold, it forms a delicate, infinite knot around the finger of the wearer. The love knot is an age-old symbol of everlasting love, and this ring is a modern take on that ancient tradition, which makes it the perfect love token for your favourite human.
Tiding of Magpies
Tiding of Magpies
Tiding of Magpies
Photo by Suzy Wimbourne Photography
So, those are my five, chosen-at-random, gold rings for the winding-up of the festive period. Let me know your favourites in the comments, or any you’d have liked me to include!
Although they’re being touted as the ‘latest trend’ by designers from Marc Jacobs to Michael Kors, hoop earrings are almost as old as jewellery itself, and have cultural significance across the globe. Since there are some hoops in my new collection, so I thought it was about time to dive into some of the history and culture of hoop earrings that high fashion designers have glossed over…
The first ever hoops?
Some of the most ancient hoop earrings surviving today are these elegant, gold, Sumerian hoops dating from 2600-2500 BCE, discovered in modern-day Iraq:
Hoops across space and time
As we saw above, hoop earrings were popular among the Middle Eastern Sumerians as early as 2600BCE, and this Neo-Assyrian bust demonstrates that they were still popular in the region by the 8th century BCE:
And hoop earrings remain popular across the Asia of today. They’re a significant accessory, for example, amongst the Hmong women of Vietnam and Laos, whose earrings are always made in silver because of its association with wealth, prosperity and health. Hmong silversmiths are among the most highly-regarded in the world, and genuine, antique silver Hmong jewellery commands a high price amongst collectors.
Elsewhere in Asia, the Gadaba women of Northern India traditionally favour larger hoops than their Hmong counterparts, and wear them, unusually, through the upper or middle part of the ear. Multiple hoops in each ear are also popular:
Gotipua_Dancevillage_Puri_India Photo by Ingetje Tadros
Hoops are so wildly popular amongst the diverse cultures of North and South America that it seems a little ridiculous to squish both continents into one section, but with such a broad history, it’s no wonder hoop earrings can be a loaded accessory in this part of the world (particularly in the US).
Nobody is saying that any group ‘invented’ hoop earrings but, as with any issue of cultural appropriation, the key issue here is a privileged group taking credit for styles they would judge or scorn on the marginalised groups who popularised them. So, let’s skip praising white designers for being ‘edgy’ (heavy air quotes there), and take a brief look at the American history of hoops…
Many Native American groups have made beautiful hoops in both metal and beadwork for centuries:
Sources: Image 1 from Eleumne – modern Native American designs; Image 2 of a 19th century Native American Girl, from Wikimedia
In Puerto Rico, gold hoop earrings are a traditional gift for a newborn baby girl, whilst in Mexico, silver is equally popular.
As well as being popular in Mexico and other Central American countries, filigree is also found in Peru:
At the bottom of the Americas, in Chile and Southern Argentina, we have my favourite hoops so far in this post: the unusually-shaped traditional hoops of the Mapuche people, which have a distinctive, half-moon shape:
Like many things, it would seem, hoop earrings were first popularised in Europe by the Ancient Greeks.
Fast foward a few hundred years, and became associated with pirates in the 17th century. But why did the swashbucklers of old favour this style? Well, legend has it that it was so that if pirates were shipwrecked or otherwise drowned, and their bodies washed up on some unfamiliar shore, they would be guaranteed a proper burial, paid for by the gold in their ears…
Another – more convincing – suggestion is that sumptuary laws in England during the ‘golden age’ of piracy (17th-18th centuries) stipulated that men couldn’t wear jewellery; a decree to which pirates promptly gave two fingers. They may have been horrendous people, but you have to give them a veeeeery tiny bit of credit for challenging gender-normative and classist fashion rules…*
Flying over to the other side of the globe, hoop earrings seem to be historically less popular than on other continents. In some places, such as Samoa, wooden and shell hoop earrings are often hung from the ear rather than through it, painted in bright colours and floral designs:
Over in the Africa of the past, the Ancient Egyptians were big fans of gold hoops, and put them on their cat statues as a symbol of sacredness. They also wore them themselves, often adorned with the ankh (the symbol of life), or animal heads representing various deities.
Further west, in Mali, the most famous hoops today are those traditionally worn by Fulani women. These ornate hoops, known as Kwoteneye, can weigh up to 300 grams each! Due to their size and weight, they are sometimes supported by an additional cord passing over the head of the wearer. They are made from sheets of beaten gold, twisted into leaf-like shapes, and often partially wrapped in red thread.
Finally, moving south into Kenya, Maasai tribespeople make beautiful beadwork hoops to wrap through their deliberately-stretched earlobes:
Why are hoops so popular?
Hoops are a old as earrings themselves, and mean so many different things to different people. They’re simultaneously hugely different and endlessly derivative across the globe.
That’s the main part of the timeless appeal of hoops, I think: they are so simple but have so much potential as a means of self-expression. You can take an instantly recognisable earring shape and fashion it in a vast range of sizes, shapes, and materials, as well as adding extra adornments or wearing multiple hoops. The lightning run-down of global and historical hoops above (which, by the way, is not meant to be a complete history of hoop earrings by any stretch!) demonstrates the enormous variety this seemingly simple item of jewellery can offer.
If you’re brave enough to go big and bold, there are thousands of gorgeous hoops out there – a personal favourite is this pair from fellow Etsy seller Otis Jaxon:
If you unfortunately work in an office with the aforementioned prejudice against large hoop earrings, or you just like your jewellery dainty, check out my new range of delicate charm hoops at Tiding of Magpies…
There was no post last week, but I do have an excuse, because I’ve been working on a whole bunch of lovely new designs for you all! After a crazy weekend where my workbench looked like this –
– I have some new pieces I’m really proud to share with you! I’ll also go into a tiny bit of the inspiration behind them and give you my top picks from the collection, because I definitely have a few favourites among my new babies…
Pretty in pink
Rose gold is the trend that shows no sign of shifting – and I, for one, am thrilled! The delicate pink tint adds interest to simple pieces and offers different possibilities with colour and shape. For the first time ever at Tiding of Magpies, we now have some 14-carat rose gold fill pieces available!
(Side note, I’m loving rose gold and gold fill – much more staying power and less tarnishing than gold plating, but a way smaller price tag than pure red or yellow gold. Gold-filled metals have pure gold pressure-bonded to another, cheaper metal, whereas gold-plated metals just have the gold on top, where it can rub off upon skin contact etc.)
Top pick: the rose gold circle necklace. Oh-so-simple but sure to get compliments – mine has already!
Hoops are another long-term trend that seems to be enduring the past few seasons, so I made myself some prototype designs a couple of months ago and haven’t stopped wearing them since. Because it’s a Tiding of Magpies design and I can’t resist a bit of extra sparkle, all of my hoops have charms or gemstones on them:
Top pick: I love them all and wear all the prototypes constantly, but if I had to pick I’d probably go with the small gold hoops with hammered discs – can’t beat a bit of texture on simple shapes.
That design (perfect for bridesmaids, as you can see!) is available now in sterling silver, gold fill and rose gold fill (like my maids wore):
But I didn’t stop there, oh no… inspired by the different stones and metals on my workbench, I came up with another 6 lariats in lapis lazuli, freshwater coin pearl, garnet, turquoise, yellow topaz, and haematite:
This is also the only design which I’ve made in 9ct yellow gold for something a little luxe (although it comes in sterling silver too for a more purse-friendly option):
Top pick: The gold – can’t argue with sentimental value!
Thready to go
My popular pearl threader earrings were worn by both my mum and my maids at the wedding (in silver and rose gold, respectively), and I thought it was about time to see what other shapes and stones worked. I ended up with a few really varied designs:
Top pick: Probably the haematite cubes. What can I say? I’m just really into haematite!
All wrapped up
The originals of this design were a present for my best friend/bridesmaid/Girl Friday, Beth, but the design was too good not to expand upon… One manic weekend later and they’re available in the original lapis lazuli, as well as amethyst, rose quartz, black spinel, turquoise, and chalcedony, with silver, rose gold or gold wire. Phew!
Top pick: These earrings are all about the combinations, so it would have to be rose quartz with rose gold, black spinel with gold, or turquoise with silver…
Stone cold rocks
I also experimented with a bunch of other stones in different shapes and sizes, and I got really side-tracked by the beautiful blood-red of some faceted marquise-shaped garnets:
I also worked with emeralds for the first time (such excitement!), and amber as well. I’ve definitely fallen in love with rough-cut stones for adding interest and texture to my pieces:
Since getting back from Central Asia, I also have a minor obsession with lapis lazuli, and when I found these gorgeous, geometric slices, I knew they’d be perfect for a simple design:
Top pick: Impossible to choose! I love the emeralds for the ombré effect, the amber for colour, and the lapis for the vibrant blue and interesting shape. Guess I’ll have to make myself one of each…
What’s your favourite piece? Let me know in the comments!
I just designed another custom order, and it occurred to me that one of my favourite things about designing fora specific person is that it often allows people to physically wear their interests. The current design is music-themed (a customer after my own heart!), but I’ve recently created a few science and maths-themed pieces. These are in some ways more interesting for me because I’m an Arts girl, so it’s nothing I would ever design for myself.
The three bespoke STEM pieces I’ve made recently are:
A large ammonite necklace for my nature-loving grandma
An ammonite and amethyst lariat necklace for a Geology student’s ball
A set of mathematical symbol studs for a Maths student
The first piece was a commission for my grandma’s birthday. She’s a botanical artist married to a Wildlife Trust director, so she pretty much loves anything related to natural history and plant life. She also likes a statement necklace, so my grandad and I came up with this:
The smaller version of this ammonite necklace is one of the most popular in my Etsy store, so I wasn’t too surprised when I got a custom order enquiry about it, but I definitely wasn’t expecting such an interesting commission. The enquirer was a lovely Geology undergraduate called Mo who was hunting for a special piece for her graduation ball. She’d seen my ammonite necklace and was hoping for a themed necklace to go with the outfit she’d already bought.
This was a really fun one, because I bloody love designing for specific outfits and occasions. Mo had chosen an absolute show-stopper – a dark purple, v-neck playsuit with a flowing train:
With a dress that eye-catching, the necklace had to simultaneously match up to and not detract from the dress. An amethyst was the obvious option, and I chose a faceted stone to suggest natural minerals. Paired with the ammonite, it made an unusual, perfectly-themed choice:
The final STEM design I’ve done this season is a set of tiny, delicate, algebraic earrings and a nose stud for a Maths student. I love these, and was tempted to make some for myself, but I felt it might be a bit strange to wear symbols that have no meaning to me…
So, from my recent designing experience, it seems that students wear their interests more than graduates. I suppose this makes sense, since their whole daily lives are defined by their degree choice. ‘Theming yourself’ has another benefit though – it helps you find like-minded people. And, as a relatively-recent graduate myself, I also know how hard it is to meet adult friends once you leave university (or school, if you don’t take the uni route).
Suddenly, for the first time ever, you’re not surrounded by an immediate pool of your peers that you can fish friends out of. How are you supposed to tell if that likely-looking person in your office is actually interesting on a friend level without quizzing them like a creep? (Seriously, if anyone has the answer, let me know in the comments…)
Sometimes it’s easier to start a conversation if you already know you have an interest in common, and interest-based jewellery (or clothing, or accessories) is shorthand for similarly-inclined potential friends to read and start conversation:
Wear a quaver pendant and someone might pipe up, ‘What an unusual necklace, do you play an instrument?’
Ammonite necklace: ‘Ooh, do you like fossils?’
Mathematic symbol earrings: ‘Did you by any chance study maths?’
Boom, instant small talk and a foot in the door to talk to a potential friend (without feeling so weird). I know that probably sounds a bit forced, but there’s also possibility 2: they notice your pretty necklace, comment on how they like it, and you start a conversation about the meaning behind it and find out if you do or don’t have that topic in common. Or you’re already talking and you find something else you both like. Or you decide you hate them and can therefore avoid them. Whatever the outcome, your choice of accessory has enabled a conversation…
The best thing about Etsy is that there are so many wonderful artists you can find something to express your interests. If you can’t find exactly what you’re after, almost everyone will make a custom order if they can (as I may have mentioned before, they’re some of my own favourite design projects). This is just a tiny selection of the interest-based jewellery Etsy has to offer:
The latest Paris Fashion Week finished last week, which means all the major fashion houses have had their say on this year’s Autumn/Winter trends. Apparently duvet dressing is still in this season (thank you, Mulberry, Preen and Margiela), although I’m going to take a hard pass on the socks-with-sandals look…
Amidst all the furore about the clothes, jewellery design can sometimes get forgotten in the main news coverage of Fashion Week, so I’ve compiled my favourite jewellery collections from London, Milan and Paris, and found a few handmade Etsy versions as well.
London, 17-21 February: Mulberry
Old meets new with crystal ear cuffs and vintage-style brooches and cameos alongside tweed, checks and embroidery. Love, love, love this aesthetic, and it’s actually achievable off the catwalk, too: grab a patterned shirt and cardie and you’re good to go. Stand-out piece: that gorgeous be-ringed hand pendant.
Amode Jewelry, Etsy
Sigal Shakked Jewelry, Etsy
Milan, 22-28 February: Dolce and Gabbana
The prints are cute, the jackets are cute, but let’s be real – the reason this was the runaway runway winner of Milan Fashion Week is the abundance of crowns. Sadly this look isn’t as doable in daily life (unless you work at Disneyland or you don’t mind getting some really weird looks at the Post Office), but how good would it be if you could actually wear a crown all day, every day? If, like me, you want a crown to wear around the house, Etsy’s bursting with choice. Most of them are ‘wedding’ crowns, but they’re surprisingly affordable, so I’m tempted to just buy one for myself. Sod the wedding! A couple of my favourites:
Paris, 28 February – 8 March: Dior
There are so many things to love about Dior’s AW17 collection, not least the fact it looks like high-fashion Beauxbatons uniforms. The delicate, layered necklaces in this collection are just gorgeous and, like the Mulberry stuff, easy to incorporate into your wardrobe. When it comes to subtle necklaces to layer up, Tiding of Magpies has you covered:
This one even comes pre-layered:
I’m working on a new line of multistrand necklaces like the one above, so check back in a couple of weeks for more…
Edit: The first new design has dropped. Check it out here.