Seasonal sparkles – your holiday gifting SORTED

It’s dark, it’s cold, and it’s NEARLY CHRISTMAS! Obviously, I am very excited. I’m putting my Christmas tree up this weekend, and anyone who thinks that’s too early can

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Source: Tenor

 

I mean, as an adult who can make my own décor decisions, why WOULDN’T I have a magical, sparkly, light-up tree in my flat for nearly two months each year? The Goblin becomes The Grinch the minute 6th January hits, so I need to get my (sorry, our) tree up as early as I can to wring as much festive feeling out of it as possible.

I’ve also done all my Christmas shopping (I know, I know, I hate me too), so I figured I’d give everyone else a hand with theirs…

Introducing Tiding of Magpies’ first ever gift sets!

That’s right, I’ve put together six sparkling sets in sterling silver, gold fill and rose gold fill to suit different tastes and budgets. With a little help from my extremely patient pal, Sophie, I embarked on a mammoth photography session, and the sets are now available online!

The Classic – £38-40

My most popular hoops, with their hammered discs, are paired with dainty hollow circle necklaces for a complementary but not matchy-matchy set which adds elegance and sparkle to any outfit or style. This set is available in sterling silver, 14ct rose gold fill, and 14ct gold fill.

The Venus set – £38

One for the feminists in your life. Featuring diddy 1cm Venus symbols on both hoops and necklace, this set proves that small things can make a big impression! Plus, £1 from the sale of each set is given to Birmingham and Solihull Women’s Aid and £1 to Plan International UK, to support their wonderful work with women and girls across the globe. Tidy.

 

 

Moonstone magic – £50

If you really want to treat someone, the beautiful, rainbow moonstone hoop and necklace set is just the thing. Featuring glittering teardrop-shaped moonstones, this 14ct rose gold fill pieces sparkle different colours when the light hits them, giving off a mystical glow.

Angles and spangles – £38

The disc design’s more angular cousin! Sterling silver triangle hoops are paired with a sterling silver chevron necklace, echoing each other’s shapes – perfect for adding a little edge to an everyday outfit… (See what I did there?)

Which set would you be happiest to unwrap on Christmas Day? Let me know in the comments!

Cursed jewellery? Jinkies!

I know, I know, it’s been a while. Lots of things have happened but the highlights are lots of illness, a holiday & new projects. It has been A TIME.

Anyhow, this week was the start of the new school term, and you know what that means? It’s also time for the new HOGWARTS school term. If, like me, your letter never arrived, don’t despair – you can still show your house colours and pretend it did.

Ready for the new year, I’ve created a line of barely-there Hogwarts house necklaces, for an oh-so-pretty and dainty nod to your dreams of becoming a wizard that won’t get you stared at on the tram…

 

It was only a matter of time until I made some jewellery inspired by my childhood obsession, and designing these subtle house colours made me think about how much jewellery there is in the Harry Potter series. From Rowena Ravenclaw’s diadem and Hermione’s gold time turner to Marvolo Gaunt’s tasteless ring (nobody giggle) and the horcrux locket, I think it’s safe to assume that the wizarding world is as full of magpies as the muggle one!

Because we all know plenty about these fictional magical trinkets (and because I’ve just discovered the And That’s Why We Drink podcast!), I thought I’d have a little look for some ‘real life’ gems with special powers. Here are three sinister sparklers and the mysteries behind them…

1. The ‘Atlantis Ring’

Supposedly magical jewellery tends to fall into two categories: amulets/talismans and cursed objects. Ring number one on our list is the former.

Source: home2b.nl

Allegedly found in 1860 by the Marquis d’Agrain in the Egyptian Valley of the Kings, this clay ring with its strange markings seemed completely out of place amongst the hieroglyphs and imagery of its surroundings. Long story short, this led to the belief it was from the lost city of Atlantis (because, of course it did). And then it gets weirder…

Source: Wikicommons

Howard Carter, the archaeologist famous for leading the exhibition that found Pharoah Tutankhamun’s tomb, was so interested in this ring’s supposed protective properties (especially against mummies and their curses) that he had a copy made for himself. Years later, he became the only member of his expedition to die of natural causes… Hmmm.

2. The Hope Diamond

Source: Pinterest

Possibly the most famous cursed gemstone in the world, the Hope Diamond has definitely seen its share of misfortune. Tales of its first owner being ripped apart by wild dogs started the rumour of a curse, although these proved to be false. Perhaps it wasn’t so cursed after all then? Not so fast; after adorning the doomed necks of various members of the French royal family, including Marie Antoinette, it made its way to England and then the USA following the French Revolution. Realising the ‘curse’ could be a selling point, Cartier obtained the diamond and sold it to socialite Evelyn Walsh McLean.

Source: Wikipedia

Not one to be cowed by curses, McLean showed the diamond off at every opportunity. However, bad luck began to plague her and her family. Her children both died, one in a car crash and the other from a drug overdose. Then her husband left her for another woman, bankrupted the family in the process, and eventually died of alcoholism-induced brain atrophy. Yikes. But wait, what about McLean herself? She died the year after her husband, her jewellery being sold to pay the family’s debts.

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It now lives in the Smithsonian Museum, where the worst it does is doom the tourists who view it to the curse of being overcharged in taxis and losing their passports…

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3. The Koh-i-Noor Diamond

In this case, it seems that diamonds really are a girl’s best friend. Or, at least, a boy’s worst enemy!

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This whopping 105.6 carat stone passed through the hands of Delhi sultans, Persian shahs, and Mughal, Afghan & Sikh emperors, before being willed to a temple by its second-to-last owner, Ranjit Singh. Unfortunately, the East India Company had other ideas, and the stone was handed over to Queen Victoria in the Last Treaty of Lahore.

Because Disney’s Aladdin, it hadn’t come out yet, so people didn’t seem to realise that stealing stones from sacred places was a really bad idea

Source: Buzzfeed

After effectively nicking the diamond from the gods, British sailors faced the battle to get it home, coming up against cholera, attack, and gales.

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Source: headoverfeels.com

However, because every previous male owner had lost his throne – and the stone – in unfortunate circumstances, the British royal family did take the ‘sensible’ precaution of making sure that only female royalty wore the stone. So far it’s been in a brooch, a circlet and a tiara, and is currently in the Queen Mum’s crown in the Tower of London.

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Its ‘curse’ was the inspiration for Wilkie Collins’ The Moonstone, and it’s featured in an Agatha Christie novel and Assassin’s Creed since then!

 

Would you wear a supposedly cursed piece of jewellery? I don’t believe in curses but I’ve not been keen to risk it since reading Simon Raven’s The Roses of Picardie! Excellent book, but also quite scary… For now I’ll stick to my Ravenclaw necklace! What’s your Hogwarts house – Gryffindor, Slytherin, Hufflepuff or Ravenclaw? Let me know in the comments.

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I Can-nock believe it…

As the title suggests, The Goblin and I popped up to Cannock Chase yesterday for a bit of fresh air and greenery. Despite not being hot weather types and nearly melting into a puddle of sunscreen and regret, we managed to have a lovely walk, look at some trees, and scoff down a picnic.

 

The beautiful, saturated colours of the sky and trees and flowers gave me all sorts of design inspiration, especially the pink Veronicas, which are the reason I’m seriously thinking about adding some tourmaline to my next collection. I need more bright pink in my life!

It did make me realise quite how many of my pieces are inspired by the shapes and colours of nature, which at first glance seems a bit counterintuitive from a designer based in Birmingham city centre. I’m not saying the city doesn’t inspire me too, because it definitely does, but nature makes designs spring to mind the fastest. What can I say, you can take the girl out of the countryside…

Fawning over florals

You can’t beat a good floral, so when I did my first capsule collection last Mothers’ Day, I came up with this little geranium pendant. I mean, when better to wear florals than March…?

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Available here

A fool for foliage

From pendants to hoops, I love a foliage motif. There’s just something about the way leaves organically curl together to make interesting shapes and textures that looks so beautiful.

 

Barking mad

I absolutely love texture, and the grooves of tree bark are a jeweller’s dream when recreated on shining silver. One of my most popular designs, my tree bark thumb ring, was actually dreamt up after a trip to The Goblin’s homeland of rural mid-Wales, which is probably one of the most beautiful places I’ve ever been. I’ve also designed two other bark-based rings, a slim, simple band, and a wavy, lightning-strike design.

 

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Available here

Rock star

Though not the first thing you’d imagine when you think of nature, I do love a good rock. It’s why I use so many rough gemstones in my work – they’re just more interesting shapes!

 

My hammered disc hoops are also inspired by the patterns on rocks that have been hammered by water, the elements, or foot (/paw!) traffic.

 

’nuff nature? Not yet!

And finally, I can’t resist a themed set, which is how my specifically nature-themed set of small gold hoops, featuring a leaf, a shell and a crystal quartz chip, came about…

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Available here

P.S. No, this post was not ghost-written by Eyal from Love Island…I just love green things too!

All images © Tiding of Magpies.

Famous jewels: Jackie O’s engagement ring

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Source: Glamour Magazine

It’s been a busy week, so here’s a quick mini-blog to tide you over until my next full-length post later this week. In my various sparkly research I come across a lot of famous gems I squirrel away to look at at a later date, so here’s one of my favourites, made by French jewellery firm Van Cleef and Arpels…

jackie o wedding ring Luxury World s most iconic engagement rings from Jackie Kennedy to Grace
Source: Pinterest

Subtle this one is not, but that’s why I love it. I mean, look at this sparkle! The First Lady was famously fond of emeralds (as am I!), so her engagement ring features a 2.84 carat square-cut emerald and a 2.88 carat square-cut diamond within a beautiful open-halo setting of 12 marquise-cut diamonds, as well as numerous smaller round diamonds along the gold band. Phew – no wonder its estimated value today is an eye-watering £966,000!

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Aside from the craftsmanship and sheer wow-factor of the ring, I love the two stand-out square-cut stones nestled together in their laurel-like surrounds. They’re the perfect pair, and a lovely representation of the promise of engagement – if only JFK hadn’t been such a rubbish, philandering husband, he and Jackie could have been the same! Still, at least she got this gorgeous sparkler out of him…

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Source: Pinterest

Let me know your favourite famous jewels in the comments – I love discovering exceptional pieces that I’ve never seen before!

It’s my birthday and I’ll sparkle if I want to!

This weekend we’re throwing it back all the way to primary school with some good old birthstone chat. Later on we can play MASH and maybe a bit of Red Rover…

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My oldest school friend turned 26 last week, and for one of her gifts I designed her a silver and emerald earring and necklace set. As well as being one of her favourite stones, emerald is also her birthstone, which is something we were VERY excited about back in junior school (along with birth flowers, star signs, and any other vaguely mystical identifiers we could find…).

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All this birthstone nostalgia made me wonder where birthstones even came from. I mean, it’s a fairly niche idea when you think about it. Star signs, the Chinese zodiac, all of those identifiers are based on astrology, but birthstones? Whose idea was that?

The birth of birthstones

Surprisingly, it seems like it was Aaron’s. Not as in Aaron Burr, but as in the High Priest Aaron, Moses’ brother. In Exodus 28, when Aaron is being fitted for a new breastplate, Moses decrees it should carry 12 gemstones, one for each of the tribes of Israel. Historians have since argued that these stones were also linked to the months of the year and the signs of the Zodiac. Because names of gemstones have changed over time and translation, nobody is quite sure which stones Aaron was sporting, but a commonly-accepted list is as follows:

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Source: peacefulmind.com

As you can see below, some of these stones or close alternates still appear on today’s lists…

However, the practice of wearing your birth month’s stone only appeared in Europe a few hundred years ago; before that, it was customary (presumably only among those who could afford it!) to keep one of each stone and wear it during its month. However, by the 20th century, birthstones were such a popular (and lucrative) concept that both the American National Association of Jewelers and the British National Association of Goldsmiths created their own ‘official’ list of birthstones.

Let’s get stoned

Ever wonder what your own birthstone is? Well, wonder no longer – I’m about to take you through the official (British NAG) list of birthstones. Some of them are pricier than others, but the NAG have thoughtfully provided alternatives on some months. I also have a couple of suggestions for budget-friendly dupes for some of the more expensive stones…

January: Garnet

As I’ve mentioned once or twice, I bloody love garnet. If only my mum had held onto me a solid month past my due date this stone could have been mine… The gorgeous dark red colour is perfectly set off by faceting, and it looks lovely in a gold or silver setting.

 

February: Amethyst

February’s stone is amethyst, a lovely violet-coloured form of quartz. Fun fact about amethyst: its name comes from the Ancient Greek for the words ‘not’ and ‘intoxicate’. This belief that amethyst protected you from drunkenness (and, indeed, hangovers!) led to lots of drinking vessels carved from or inlaid with the stone, as well as charms:

 

Maybe I’ll try wearing amethyst charms on my next night out and see how my head is the next day…

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Available here

March: Aquamarine/Bloodstone

Two quite different stones for March – perhaps March babies are meant to be more indecisive? Bloodstone sounds – and looks! – a bit emo, whilst aquamarine is delicate and classic:

 

If you don’t fancy either of these, March’s birth colours are white and light blue, so you could always consider substituting a pearl or a moonstone for the two ‘official’ options…

April: Diamond/Rock crystal

One of the most expensive months of the year is April, with diamond as its main stone. Luckily, a more affordable alternative, rock crystal, is given, and you could also substitute crystal quartz:

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Available here

May: Emerald/Chrysoprase

If only I’d be born in May… Emeralds speak for themselves, and luckily chrysoprase makes a nice, affordable substitute for emerald. Chrysoprase also has some lovely marble-esque inclusions which adds a bit of interest:

 

June: Pearl/Moonstone

June’s stones of pearl or moonstone give some lovely, neutral-coloured options for birthstone jewellery, but the benefit of pearls is they also come in different colours to suit all tastes and styles, and rainbow moonstones also produce lovely colours when the light hits them:

 

July: Ruby/Carnelian

Another red month, with cardinal stone ruby and semi-precious carnelian for some fiery birthstone jewellery:

 

August: Peridot/Sardonyx

Leaving aside the fact that Sardonyx sounds like me as a Pokemon, it’s also quite different from the better-known August birthstone of peridot. August babies have tons of colours and patterns to choose from with sardonyx, as well as a light green sparkler with periot. I think I prefer the sardonyx for its variety (and name!), but peridot isn’t too shabby either:

 

September: Sapphire/Lapis Lazuli

Yet another month I’m jealous of; more for the lapis lazuli than the sapphire, actually. I just love its gold flecks and historical appeal. That being said, you can’t go too far wrong with a sapphire, and they come in a bunch of different colours as well, so you can choose your favourite or sport a rainbow birthstone piece (if you’ve the budget for it!):

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October: Opal

Opals have come back in in a big way in the past couple of years, so lucky October babies! Opals were extremely rare before the 19th century discovery of huge opal deposits in Australia, and appear in the treasuries of many European royal houses. Like many of the stones on this list, opals come in a range of colours and styles…

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November: Topaz/Citrine

November is the only month with predominantly yellow stones, perhaps to make up for the lack of sunshine the UK during these babies’ birthdays… Topaz does, of course, come in blues, greens and pinks as well as yellows, whilst citrine (as the name suggests) is just yellow. According to British superstition, Topaz also cures ‘lunacy’, so take from that what you will…

 

December: Turquoise/Tanzanite

I love turquoise now, but when I was little, it did feel a little like they’d just run out of stones by the time they got to my birth month. I mean, turquoise isn’t even sparkly! Gorgeous, purply-blue tanzanite is, but I didn’t know about it back then. Tanzanite is also a lot more expensive; turquoise is definitely the affordable December stone, but it does have the advantage of a huge range of variations in colour and inclusions (the speckly bits)…

 

What’s your birthstone, and, more importantly, do you like it? If your month has two stones, what do you prefer? Let me know in the comments…

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Disney Designs 4: Dun(broch) mind if I do

Time for another Disney Designs post! This week we’re going to run, fly, chase the wind, touch the sky…and take a look at Queen Elinor’s necklace.

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Ok, maybe just that last one, then…

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If you’ve not seen the film, Queen Elinor of Clan Dunbroch (above) is the mother of Merida, the flame-haired archer princess who is Brave‘s protagonist. Also, if you haven’t seen the film, I highly recommend it. Although a bit short on songs for my taste, it makes up for it with its focus on Merida and Elinor’s relationship, its lowkey, dry humour, and Merida being a generally cool but also realistic 16-year-old. I won’t spoil it for you if you’ve not seen it, but there is an excellent bit with an archery competition…

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To get back to the point of this blog, when it comes jewellery, as well as her gleaming green circlet, Elinor also has a bear pendant which she gives to Merida before the ill-fated suitor contest:

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….aaaand then Merida trades it to a witch. Ouch.

Anyhow, Elinor’s necklace is in a recognisably Celtic style, which makes sense given the story’s 10th century Scottish setting, but I wondered how it compared to what people might really have been wearing at the time.

 

Circular pendants and brooches with interlocking patterns were certainly popular in 10th century Scotland, but it seems there were more abstract than animal motifs. The never-ending circle motif was everywhere, just as it is on the walls of Merida’s castle:

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The three-animals-in-a-continuous-circle motif was widespread in Far East Asia, along the Silk Road, and in the Middle East, in the form of three hares rather than three bears. Although it’s uncertain when exactly the symbol travelled to Western Europe, it does not seem to appear consistently before the 13th century ,so Brave is a little early on that one.

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13th century Iranian tray depicting the Three Hares. Photo by Chris Chapman.

However, animal heads as part of the triskele motif were found in Scotland and Ireland from the 5th-6th century:

 

I didn’t find any examples with bears from the period when Brave is set, but bears’ teeth were popular amongst those with slightly more hardcore tastes…

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9th – 11th century CE

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And if anyone fancies channelling Merida? Well, I’ve made a new design: a Celtic-inspired shield necklace just for you…

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Just don’t go trading it with witches, now!

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Not just a ‘shiny piece of coal’ – the jewellery of Hamilton

Last week, after almost 3 years of having the soundtrack on repeat, I FINALLY got to be in the room where it happens at Hamilton in London, along with The Goblin and a whole bunch of family and friends. I cried. A lot.

 

And I have A LOT of feelings about the show, the top 3 being:

1) How amazing Jamael Westman & Rachelle Ann Go are as the Hamiltons

2) How I will never be satisfied with a Washington who isn’t Christopher Jackson

3) How It’s Quiet Uptown will never not make me cry (especially when sung by the divine Rachel John).giphy (3).gif

I also have a lot of feelings about the gorgeous costuming, which Paul Tazewell, acclaimed Broadway costume designer, created as a modern, minimalist version of 18th century silhouettes. It’s a combination of old and new right after my own heart*, all in a palette of lush colours.

 

The minimalism doesn’t just stop at the clothing, with the only jewellery in the show being the main female characters’ delicate drop earrings (aside from King George’s bling, of course!). They’re a gorgeous example of minimal styling, because they add a little sparkle without taking away from the incredible vocals and rich dresses.

 

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Like the costumes, the Hamilton ladies’ jewellery is a stripped-back version of what women of the Schuylers’ status would have worn during this period of history (although not that stripped back; in late eighteenth century America, less jewellery was definitely more). Hair adornments and brooches were the accessories of choice at this time. Necklaces, when worn, tended to be of a choker style, and earrings were relatively simple (albeit expensive) gemstone drops.

 

Following the Revolution, at the start of the nineteenth century, American jewellery manufacture briefly boomed at home, as well as there being expanded import options. The Neo-classical trend in Europe carried across to the States, with pearl, topaz and amethyst designs gaining popularity.

 

However, from their portraits, it seems the real-life Schuyler sisters were even simpler in their tastes than the styles of the time:

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Angelica (by John Trumbull)
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Eliza (by Ralph Earl)
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And Peggy! (by James Peale)

I, of course, made myself some Hamilton-themed gems to wear to the show, focusing on the star motif….

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These may make their way into the Tiding of Magpies store one day…
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Loving wearing my long threader earrings through multiple piercings at the moment for a different look…

Judging by the costumes and the historical jewels, perhaps I should have worn a pair of my gemstone drop earrings instead so I could pretend I was a Schuyler sister! Come to think of it, maybe I’ll do this tomorrow – I just need to find an orangey-pink outfit to go with my rose quartz drops…

 

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Some interesting articles on the costume design process:

http://tyrannyofstyle.com/costume-design-hamilton-broadway

https://www.thecut.com/2016/06/see-the-original-sketches-of-hamilton-costumes/slideshow/2016/06/09/hamilton_sketches/

Also, shout out to this blog for providing endless portraits of 18th and 19th century American women – https://b-womeninamericanhistory18.blogspot.co.uk/

 

*Maria Reynolds aside, because, come on now, this show is better than that stereotypical ‘vampy’ red…

 

Adventures in stone-setting

As I mentioned in my New Year Goals post, a) I’m taking a stone-setting class to buff up (haha) my jewellery skills and b) my goal was to set one ring. When you say it like that it doesn’t sound that ambitious, but there are a few reasons why I may sound guilty of, well…

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First of all, it turns out that before you can set stones, you need to grind your tools into shape on a cool grinding wheel that makes sparks and everything. That bit was very exciting initially, but it was also REALLY, REALLY SLOW, because there’s one grinding wheel and…more than one person in the class. Also, you have to grind your cutting tools to fit your hand, and if you have tiny elf hands like me, that’s a whole lot of metal to grind off!

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All toolboxes look like this, right…?

Tools in hand, time to set a ring…right? Nope, because proper stone-setters do hardcore apprenticeships where they have to get used to tools, practise cutting, and learn to control to the drill before they’re even let near anything more interesting than brass plates. Luckily, it was only a few weeks of practice, but still, after one term I had not set a single ring, and I was a little disheartened. (Having missed 3 weeks for my honeymoon probably didn’t help either.)

I started this term aiming to set one whole ring and, lo and behold, I have set FOUR.

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They’re not perfect and some of them need a bit of cleaning up, but those stones aren’t moving ANYWHERE. So far I’ve fully set:

1) A simple 3mm circular stone in a rubover setting (cubic zirconia in silver):

 

2) A 9-stone eternity ring (2mm cubic zirconia; this one was HARD, hence the mess!):

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3) A four-claw oval ring (8x6mm; garnet and silver. These claws need more shaping but the stone is definitely not moving so I consider it set!):

 

4) A four-claw twisted circular ring (10mm; champagne cubic zirconia and silver. This one is NOT subtle!)

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And finally, a moment of silence for the TWO castings of the same ring I destroyed. The first time, I’d done a lovely job with the claws and in tidying them up I scored all the way across the gorgeous, dark blue CZ I’d just set.

 

The second time, keen to avoid damaging the stone during clean-up, I filed the claws too enthusiastically…down to basically nothing. At some point I will reset this stone, but I think I need some time to forget first!

 

Next up is the smaller version of my GIANT twisted ring above. The aim with this one is to be a little steadier with my drill and not create a dimple that then needs to be very carefully got rid of to avoid damaging the claw it’s gouged out of… I also have some exciting square rings to set, which is a more complex operation (hence the brass rings and very cheap CZ stone – no point throwing good stones after experimental work!)IMG_20180416_180044.jpg

 

It might not look like I’ve made a huge amount of progress in two terms, but I feel like I’ve already learnt a lot, including:

1) Stone-setting is simultaneously REALLY hard and really simple. The principles themselves are just logic and physics really, but mastering the techniques to a high standard takes years.

2) Filing is an art of its own. Before this course I was fairly adept at filing down a soldered seam, but that was about it. Watching my tutor filing a perfectly-shaped claw as smooth as silk in a matter of seconds in one of the first sessions floored me.

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3) I’m not naturally good at filing! So I guess what I have actually learnt here is to be patient…

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4) Being a bit behind and therefore towards the bottom of the class is not the worst thing in the world (much as my perfectionism likes to mutter otherwise). Everyone is going at their own pace and there’s no exam – I just need to do as much as I can.

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5) Homework doesn’t end when you finish formal education. Although we don’t have official homework, y own workshop doesn’t have a pendulum drill or grinding wheel, so the more rings I can prep between classes, the more time I have to actually set and benefit from the tutor’s expertise in class.

6) Practice absolutely does make perfect (I know, I didn’t want to hear it either!). My first claw ring took me 2 classes (5 hours) plus prep time outside class. My second was completed start to finish in one class, with a break in the middle to watch a demonstration of the next ring we’ll be attempting.

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What’s your achievement of the week? Bonus points if it’s jewellery-related!

 

New designs, new photos…and news!

I know, I know, it’s been a while since I posted, and there are a few good reasons for that, mostly:

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BUT despite that, there have been a few things in the works, namely…

1) I’ve been refreshing product photography, which is why some of my most popular designs, like my charm hoops, have been down for a little bit. Hoops will be coming back on Friday 14 April, just in time for you to treat yourself after a hard week at work…

With the help of my ever-patient friends and family as models, photographers, and all-round ‘shall-I-just-hold-this-leaf-for-you’ grafters, I’ve had fun shoots ranging from standing in the Yorkshire rain in January to gathering all the items from my sister’s sickeningly Instagrammable flat:

I hope you’ll agree that the results were worth the effort, though!

The necklace at the bottom there is a new design which will be available from next Thursday 19 April.

2) I’ve got an exciting collaboration coming up with the talented and very lovely Alia-Michelle of Makeup by Alia-Michelle, where I’ve lent some Tiding of Magpies jewellery to style the models for two beauty shoots. It’s the closest I’ve ever been to fulfilling my fantasy of styling Next Top Model photoshoots… Seriously though, I absolutely loved picking out the right pieces for the theme of each shoot, and one shoot will even feature one of two new designs which will be available to purchase from Thursday 19 April. Watch this space for the photos!

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Just a bit of Alia’s fab work…

3) My final news item is a very special one. I’m always delighted when my customers tell me the story behind the item they’ve purchased or commissioned, but last week I had a really lovely message from a customer who purchased my silver love knot ring…

She recently proposed to her partner, but while they’re waiting on a bespoke engagement ring, she ordered my little love knot ring as a stand-in to symbolise their plans to tie the knot – how ridiculously cute is that? It made my week – and a nice happy ending to this quick update post!

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Available here

Crafting For Crazy People Part II: Craftpod review*

As I’ve discussed previously on this blog, I use crafts as a tool to manage my mental health conditions, as well as for the enjoyment of creating, so imagine my delight when my mum gave me a quarterly craft subscription box for my birthday.

Luckily I didn’t have long to wait to try out my new subscription, since it came the following week. Much more cheering post than the usual round of bills, credit card spam and pizza menus (although those are always fairly welcome…)!

This particular subscription box is called Craftpod, and each box is themed around the season it’s released during. This one couldn’t have come at a better time, with January being even colder and more miserable than usual this year, and the theme is all about cosiness and comfort. Perfect!

When I opened the box, I found: a letter explaining the box, all the equipment and instructions for an embroidery project, all the equipment and instructions for a stamp-making project, a cute woodland-patterned postcard, a sheet of wintry stickers, a black chai teabag, and a bar of Vivani chocolate.

I’ll tell you more about the craft projects below, but I just want to mention the extra touches first that made opening the box so enjoyable for me. I absolutely love the tea and chocolate element in the winter box; it feels very self-care-focused, which is exactly what I look for in craft projects, particularly at this time of year. From my mum, I also knew that there would be two craft projects and tea, but I wasn’t expecting the extra stationery bits, so they were a really nice surprise. All of the collateral is gorgeous as well, which is a lovely little touch that makes the box feel that bit more special and treat-like. The instructions are also super easy to follow and written in a friendly, approachable way that makes it feel a bit like Jo is crafting along with you!

I’ve not had time to get stuck into the stamp-making yet, but I’m absolutely loving my embroidery hoop. It’s really simple but has enough detail and different stitches/parts to it to still be engaging, which is a balance I sometimes struggle to find with embroidery projects, since I’m not a particularly accomplished embroiderer… It’s also just repetitive enough with all the berries to be quite meditative (as Jo points out in the instructions as well), so very relaxing to do in front of the TV of an evening.

The stamp-making project seems like a good contrast to the embroidery, since it’s a bit more active and (for me at least!) exotic. I also love making things that are useable, not just decorative, so it’s right up my street. I’ll come back and post pics when I’ve made my stamps so you can see how they turn out!

Overall, I would seriously recommend this box for anyone who enjoys crafting, particularly as a means of self-care. As I mentioned in my previous post, I sometimes feel pressure to finish projects quickly so I can have something to show for my efforts, so the frequency of this box is perfect for me. Two projects every three months is enough to have exciting and relaxing things to do, but not so many that it feels overwhelming and just wouldn’t get used. If the box was monthly, I think I’d feel a bit stressed by the number of projects that ‘needed’ doing, and it would deplete the enjoyment a little.

This box feels like it was made for me, which was my mum’s comment when she gave me the gift, so great work, Mum! If you want to learn more about Craftpod, you can visit the website, or search the #craftpod tag on Instagram to see makes from current subscribers.

*This is not a sponsored post (if ONLY I got paid to chat about crafting!); I’ve just really enjoyed my first Craftpod and wanted to share the recommendation. If you’re interested in receiving fun, themed craft projects for every season, or gifting that experience to a crafty loved one, you can head to the Craftpod website to subscribe.